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Yamaha’s MG10XU is a good example: nominally a 10-channel design, it’s packed with features that you don’t find on the smaller, cheaper models like the budget Allen & Heath: three-band EQ, 48V phantom power for condenser microphones, audio in and out over USB, more extensive digital effects. There’s a bit of a step up in price as we move to higher channel counts, but it’s immediately obvious just how much more capable mixers are at the higher price point. Handles all types of signal: line level, guitars, microphones and stereo Mixing signals in the box might make more sense for some people, so we’d also suggest checking out our 10 Best Audio Interfaces list. At this kind of size and simplicity, it really comes down to personal choice whether a mixer gives the best workflow. Nevertheless, it’s a good solution for small setups. The Zed6 is a lot more basic than the bigger models in the range (which goes all the way up to a mighty Zed-436), with obvious cost-cutting and space-saving features such as rotary controls for channel level rather than faders.
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There’s very basic two-band EQ for adjusting the tone of channels, plus balance controls to pan the sounds left and right. Allen & Heath’s baby Zed6 is about as simple as it gets, with a four-channel design based around two mono line/mic/guitar inputs plus a further two stereo inputs. In the case of musical recordings, that almost always means a stereo output these days, with mono mixers largely consigned to history, barring a tiny handful of exceptions.
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The best mixers for home studiosĪt the most basic level, an audio mixer is a way to combine two or more signals into one. If it comes down to the choice of sacrificing sound quality for more channels, sound quality should be the priority. The sweet spot is to have just enough channels for your regular workflow, so that you’re not spending money on channels that you don’t need. We’d recommend that you avoid the temptation to go for a high channel count just for the sake of it, despite how easy it is to assume that more channels is better. How many channels?Īs we mentioned above, most brands offer their mixers in a range of sizes to suit different requirements, typically starting around four channels and going up to 24, 32 or more. The more simple models just record the stereo mix, but some can even record multi-tracks, allowing you to edit and process your recordings further down the line. You’ll often find built-in audio interfaces appearing around this level, allowing you to record the stereo mix output or even individual channels to a computer.Īt the top of the tree, you’ll find mixers with their own built-in recording features. Stepping up a level, you’ll find mixers which also feature built-in effects processing, then mixers with auxiliary sends to allow you to hook up outboard effects. There’s nothing at all wrong with simplicity if that’s all you need. You might get basic EQ but that’s about it, the bare-bones approach. The most basic mixers on our list do very little more than sum signals together. Most mixers come in a range of different channel counts within the same product family, but their features can vary substantially. You might fairly assume that the most important question when choosing a mixer is how many channels you need, but we’d suggest looking at it the other way round. Note that almost all of the mixers on our list are available in other sizes and channel counts, so if you like the features of a particular model but need more inputs, be sure to check the models higher up the same range. Here we run through ten of our favourite options, from ultra-basic models through to fully featured consoles with digital effects, built-in USB interfaces and even multi-track recording. The easiest solution is usually a small mixer, providing a hands-on way to sum the outputs of your synths, drum machines and samplers. With the growing popularity of hardware setups in dance music production, mixing analogue signals is now a key part of many home studios. We pick ten of the best options for those looking for an affordable mixing desk for a home studio, including models from Soundcraft, Roland and Allen & Heath.